Yamano Yamame, an entertainer who can't sell, is unreasonably told by his seniors that he should live in the accident property because he will put it on TV, and he moves to the property where the murder occurred due to his appearance on TV and the low rent. At first glance, the room was a normal room, but a mysterious white object was reflected in the image of the room, and the sound was disturbed. The program in which Yamame appeared became lively, and Yamame moved around the accident property in search of new material. Yamame, who encounters various mysterious phenomena in the room where he lives, makes a big break as an "entertainer who lives in the accident property".

Aspiring celebrity Yahiro Kuwata moves to Tokyo and becomes a "Cursed Property Resident Talent," living in haunted locations for TV and social media. As he hops between eerie apartments, an old inn, and a séance-filled share house, he uncovers the dark mysteries hidden within. But his extreme sensitivity to spirits makes him an easy target for relentless supernatural attacks. In one particular cursed property, he stumbles upon an unimaginable horror and a shocking truth that will change everything.

Trapped in the middle of the world-shaking Panama Papers scandal, Ana Mendez must fight the system, the global media and her own ethical compass to try to restore her reputation and save her family.

1991年初，我注意到“报纸”作为动画素材的可能性。 　　这是8毫米胶片的作品。周一将胶片送到照片店，最快周五才能看到初剪的成果。 　　在这段时间里，自己对作品完成的期待值不断提升。 　　一个人居住的房子里，狭小的一居室，白色墙壁上投影着画面，静止的文字和微微移动的中间文字！我轻松地跨越了提高的难度。 　　至今，我仍然追寻那时的感动，继续创作作品。

Trapped in the middle of the world-shaking Panama Papers scandal, Ana Mendez must fight the system, the global media and her own ethical compass to try to restore her reputation and save her family.

PAPERS 　　In early 1991, "newspaper" caught my eye as a material for animation. 　　8mm film work. I took it to the photo shop on Monday and the rush 　　The earliest it will come up is Friday. In that time 　　The hurdles are getting higher and higher. A house where I live alone, a video projected on a white wall of a small one-room room by a projector, a character that does not move, and a character that moves subtly in the middle! I jumped over the raised hurdles with ease. 　　Even now, I am chasing the excitement of that time and creating works. 　　(Please enjoy in HD quality)Production year 1991. 　　I am translating into English using translation software. 　　1991年初頭、アニメーションの素材として目に付いた「新聞紙」。 　　８ミリフィルムの作品。月曜日に写真屋さんに持って行ってラッシュが 　　上がってくるのは早くて金曜日。その時間の中で自分の中では出来上がりの 　　ハードルがどんどん上がってきます。独り住まいの自宅、狭いワンルームの白い壁にプロジェクターでかかった映像、動かない文字と微妙に動く真ん中の文字！あがったハードルを余裕で飛び越えて行きました。 　　いまでもこのときの感動を追いかけて作品をつくっています。 　　（HD画質でお楽しみください）1991年制作

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.

Reporter Camille Preaker confronts the psychological demons from her past when she returns to her hometown to investigate the murders of two young girls.

A curmudgeonly gay dwarf and his unstable, alien-obsessed neighbor are thrown together on an impossible road trip that will alter their strange friendship (and their sense of reality) forever.

40-year-old Sociology professor Hye-jung falls for a 21-year-old Usang, a male student who helps her project research on women's extramarital affair. Their prohibited love and secrets are watched and told by two secretive observers. They are her copy machine and his digital camera.